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Like a detective, an actor has to start with the facts By Jon Jory What’s going on here? If you’re interested in improving your acting, you’ll need to start by
The actor’s homework: marking and naming the beats By Jon Jory I know your secret. You did a great job in the audition. You got the part. Then you went
For actors, memorizing is still job one By Bruce Miller Imagine for a moment living in a time before writing was invented, a time when there were no books, no
The ornate Parisian rococo settee and the intricately carved Louis Quatorze table will come later. On the first day of rehearsal, actors just need something to play on. The answer:
Thirty ways to understand a script By Michael Bigelow Dixon Have you ever been in a conversation—or worse, a “classroom discussion”—where other people who saw or read the same play
Preparing for opening night By Jon Jory Let’s talk about the actor’s work in the final rehearsal push before opening night. In many ways these last rehearsals are the most
Teachers and students alike are sometimes beginners By Laura Lewis-Barr Acting requires tremendous openness and vulnerability. Those of us who direct young, beginning actors face a particularly daunting challenge. Most
