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EdTA History

History of EdTA

The Founding of the International Thespian Society


By 1920, most colleges in the United States had dramatic programs staging plays regularly on campus. Dramatic workshops were becoming popular, and an increasing number of regional theatre productions pushed interest in the artform westward from the east coast. In 1921, a group of students at West Virginia’s Fairmont State Normal School (now Fairmont State University) formed their own drama club.

Headshot of Paul F. Opp, black and white, wearing a bowtie


Paul F. Opp, a Columbia University graduate originally from Ohio was hired by the English department to serve as the club’s faculty advisor. Opp christened the group “The Masquers.”


After about a year of searching for a national honorary organization to join – and finding none – Opp joined with two colleagues from Marshall College, Elinor B. Watson and Robert Sloan, to propose a national constitution to form their own college theatre honor society. On August 12, 1925, Alpha Psi Omega initiated its first members from the cast of The Masquers at Fairmont.


By the time of the first national convention of Alpha Psi Omega, held December 27-28, 1926, at the Palmer House in Chicago, 20 “casts” of the society had been formed.


Earl Blank, an Alpha Psi Omega member who taught drama and speech at Natrona County High School in Casper, Wyo., wrote to Opp, wondering, “Why can’t we have something like this for high schools?” Opp begins meeting with Ernest Baverly (his secretary) and Harry Leeper (a former student teaching at East Fairmont High School) to plan a similar honor society for high school students.

Ernest Baverly and Harry Leeper
Ernest Baverly (left) and Harry Leeper (right)

The cover of the high school thespian magazine, October 1929 issue1929

The National Thespians is launched in spring 1929 as a charter for Troupe 1 was issued to Blank’s school. The student membership fee is $1.50. By May 1929, there are 71 troupes in 26 states. In October, the organization publishes the first issue of The High School Thespian, which would later go on to become Dramatics magazine.


The Thespian pledge is drafted, including the promises “to perform my part as well as I can; to accept praise and criticism with grace; to cooperate with my fellow Thespians and work for the good of the troupe; and to share my love of theatre.”


Ernest Baverly headshot
Ernest Baverly

Ernest Baverly becomes the first full-time employee, as both chief executive and editor of the magazine, and the organization is renamed the National Thespian Dramatic Honor Society. As it opens a national office in Cincinnati, the society has grown to 21,000 members across its 324 troupes.

Photo of the old paper play survey, red lettering and white paper


The first annual play survey of productions by Thespian-affiliated schools is published. New Fires by Charles Quimby Burdette tops the list.


The society marks its 10th anniversary with a celebratory broadcast on NBC Radio, hosted by Pasadena Playhouse founder Gilmor Brown.


Throughout WWII, the society works with the American National Theater and Academy to launch the High School Theatre for Victory program, which raises money for the Servicemen’s Library Fund to buy scripts for U.S. Army post libraries around the world.


In the summer, the society holds its first National High School Drama Conference at Indiana University in Bloomington, aimed at the “progressive teacher anxious to keep up with the latest developments in dramatics.” Registration is $11, including room and board. On the final day, NBC broadcasts an original radio drama featuring an all-Thespian cast.

1940s Radio actors reading from a script, black and white


The High School Thespian becomes Dramatics magazine. Coping with wartime rationing, editor Ernest Baverly promises new departments will be added “as soon as more paper is available.”


The organization’s name is changed to the National Thespian Society.


After wartime hiatus, the second National Dramatic Arts Conference returns in 1947 to Indiana University in Bloomington.


Ernest Baverly, who led the organization for 15 years, is succeeded as executive secretary-treasurer and editor by Leon C. Miller, the society’s regional director for Pennsylvania.


1950s may 1954 cover 300wThe society moves its headquarters to  Cincinnati’s College Hill neighborhood. The new facility is a one-story, two-room structure with almost all of the space devoted to the address plates and machines used in mailing Dramatics.


As the society marks its 25th anniversary, there are 1,432 troupes in 48 states, plus the territories of Alaska, Hawaii, and Canal Zone as well as Canada and Japan, with active and alumni student members exceeding 200,000.


Oklahoma! and South Pacific make the society’s most-produced plays list, marking the first time a Broadway musical breaks into the top 20.


Ronald LongstrethAfter 18 years of service, Leon C. Miller retires and is replaced by Ronald L. Longstreth, a Cincinnati theatre teacher who has been Miller’s assistant. Soon after, the society’s leadership forms a nonprofit corporation and establishes a board of trustees.


The organization is renamed the International Thespian Society to reflect its expanding geographical reach, and its biennial play festival is renamed the International Theatre Arts Conference.


The International Theatre Arts Conference begins a 20-year run at Ball State University in Muncie, Ind.


As the U.S. marks its bicentennial, the society moves into another Cincinnati headquarters. Carol Channing is guest of honor at the building’s dedication. She is joined by David Finkel, a Shelbyville (Ind.) Senior High School student who has recently been inducted as the millionth Thespian.

Carol Channing and the one millionth thespian, David Finkel


The society celebrates its 50th anniversary with a reunion of the three surviving founders (Paul F. Opp, Harry Leeper, and Earl Blank) at the International Theatre Arts Conference, which is kicked off with a keynote speech by playwright Robert Patrick.

Founders Paul F. Opp, Harry Leeper, and Earl Blank


The name of the conference is again changed – to the Thespian Festival – and it begins an annual schedule for the first time.


The society begins offering summer retreats for high school theatre directors, an activity that eventually grows into the development of the Theatre Education Association, a professional organization for teachers.


The first cover of Teaching Theatre, black and white, launched in Fall 1989
The first cover of Teaching Theatre launched in Fall 1989

The International Thespian Society board establishes the Educational Theatre Association to oversee the operation of both the International Thespian Society and the Theatre Education Association. Teaching Theatre, a quarterly journal for theatre educators, is launched that fall.


The association launches Junior Thespians, extending its reach to middle schools.


The cover of Thespian PlayworksThe association contributes to the theatre section of the National Standards for Arts Education, the first such guidelines from the U.S. Education Department. That summer, the Playworks student writing program is established in tribute to Doug Finney, a veteran Thespian executive.


The name “Theatre Education Association” is dropped in 1995, and this professional association for teachers and the organization that operates it are now the same. In the summer, the Thespian Festival moves from Ball State University and begins a 25-year run at the University of Nebraska – Lincoln.
Michael J Peitz headshot
Michael J. Peitz


The association outgrows its old quarters and moves to Cincinnati’s Mount Auburn neighborhood. Ron Longstreth retires as executive director after 31 years of service and is succeeded by Michael J. Peitz, a Cedar Rapids, Iowa, theatre teacher who was board president and assistant executive director. The society charters its 6,000th troupe.


EdTA tests the waters with a new demographic, launching the Senior Theatre League of America, which becomes an independent organization by mutual agreement three years later.


The society’s 75th anniversary begins with a homecoming conference in Cincinnati. In July, the society receives the Children’s Theatre Foundation of America’s Medallion Award, in honor of the society’s service to theatre for youth and theatre education.


The International Thespian Festival opens with Ragtime: School Edition, with writers Lynn Ahrens and Stephen Flaherty in attendance. It is the first Thespian national company production in more than 20 years. It is followed by national casts of Thoroughly Modern Millie in 2007 and Hairspray in 2008.

Production of Ragtime by the Thespian national company

Headshot of Raymond RJ Harding, the two millionth inducted thespian, wearing a suit and tie


Raymond “R.J.” Harding of Troupe 7321 at Ola High School in McDonough, Georgia, is inducted as the two-millionth Thespian.


Julie Cohen Theobald headshotAfter 12 years of service, Michael Peitz retires. A national search leads to the hiring of the association’s fifth executive director, Julie Cohen Theobold.


EdTA and Utah State University release a joint research study about the state of theatre arts education. The association also contributes to the National Core Arts Standards, which are released in 2014.


EdTA creates an online Theatre Education Community, which quickly grows to thousands of participants.


The association launches JumpStart Theatre, a program designed to build sustainable musical theatre programs in underserved middle schools where there currently are none.

Actor dancing with a twirling skirt on stage during a JumpStart Theatre performance


EdTA establishes the Educational Theatre Foundation as its fundraising arm, to provide financial support in enhancing theatre education and expanding access to school theatre for every student.

Executive Director signs documents establishing the Educational Theatre Foundation


The organization outgrows its Mount Auburn building and moves to Cincinnati’s Norwood neighborhood, as the association expands to 5,000 troupes at schools, 135,000 active Thespians, and 2.3 million alumni.


As COVID-19 forces the shutdown of schools, live theatre, and live events, EdTA quickly shifts the International Thespian Festival and its teacher conference to virtual events. Teachers get creative to honor students through virtual induction and graduation ceremonies.


Matt Conover Headshot 2017 02 0337 1Back in person for the first time in three years, the International Thespian Festival returns to its roots at Indiana University in Bloomington. Following a national search, Dr. Jennifer Katona becomes the organization’s sixth executive director. EdTA closes its physical office and officially transitions to a fully remote organization.

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