According to the annual school play survey conducted by EdTA, The Addams Family, Clue, and Check Please received top billing for the most produced musical, full-length play, and short play, during the 2019-20 school year, which was cut short by the closures required by the COVID-19 pandemic.
Conducted every year since 1938, EdTA’s annual survey of the plays and musicals most frequently produced in America’s middle and high schools provides a snapshot of what resonates with teens, their teachers, families, and communities.
This year’s survey will have a figurative asterisk indicating the incomplete season schools experienced when required to shut down in March 2020. The survey took that into account, asking about both plays that were performed and the impact of cancellations.
Among the performances that audiences enjoyed, Christa Skiles, EdTA’s editor of publications said, “Newly licensed shows made their mark in both the play and musical categories last season, indicating an appetite among teachers and students for expanding the repertoire in school theatre programs.”
The Addams Family retained its number one slot for most-produced musical, followed by Mamma Mia! which debuted at second place in the survey in 2019 as amateur rights became available. Joining the top 10 list for the first time was Matilda, based on the Roald Dahl classic.
In its second year of amateur licensing, Clue became the most-produced full-length play, beating out Almost, Maine, which ranked first for five years. A Midsummer Night’s Dream, which has placed in the top 10 for 31 years, retained third place. New to the top 10 listings were Puffs, Or: Seven Increasingly Eventful Years at a Certain School of Magic and Magic and The Curious Incident of the Dog in the Night-Time.
The works of Jonathan Rand and Don Zolidis continue to dominate the short play category with Rand’s Check Please at the top of the list, joined by Check Please: Take 2 and Law & Order: Fairy Tale Unit. Two works by Zolidis also stayed on the list — 10 Ways to Survive the Zombie Apocalypse and The Brothers Grimm Spectaculathon. The top 10 included a new entry with The Internet Is Distract – Oh Look a Kitten by Ian McWethy.
Closures affect more than the current season; most high school theatre programs rely on spring shows to finance the following fall’s productions, creating a double hit. In fact, 85 percent of the survey’s nearly 3,300 responding schools reported that they canceled performances, resulting in an aggregate 2.6 million fewer people in the audience, with attendant box office receipt reductions. For 28 percent of the responding schools that loss represented more than 50 percent of their season budget; for another 30 percent of respondents, the loss was between 26 and 50 percent of their budgets.
For nearly half of the schools responding, losses translate into cutbacks on their 2020-21 season and/or other arts-related activities and opportunities.
When school theatre is canceled, community members lose out, too. Two years ago, EdTA expanded its exclusive play survey to include not only data on which plays were produced in America’s middle and high schools but also how many people came to see them.
This year, survey respondents reported a total audience of 3.6 million for their school theatre programs with an estimated 2.6 million additional audience members lost to COVID-19 cancellations. Extrapolating these averages to all theatre programs in the U.S. yields a potential audience of more than 49 million for school theatre performances, consistent with what the survey has found during the three years this data has been gathered and roughly comparable to the combined audience for Broadway touring companies and regional theatres.
The Educational Theatre Foundation, the philanthropic arm of EdTA, has established the Thespian Relief Fund which will award grants to help school theatre programs continue despite both their revenue losses and anticipated cuts in school budgets in the 2020-21 school year. More information is available about making donations and applying for grants at ETF Thespian Relief Fund.
Top 10 Full-Length Musicals
1. The Addams Family – by Andrew Lippa, Marshall Brickman, and Rick Elice (TRW)
2. Mamma Mia! – by Björn Ulvaeus, Benny Andersson, and Catherine Johnson (MTI)
3. Disney’s Beauty and the Beast – by Alan Menken, Howard Ashman, Tim Rice, and Linda Woolverton (MTI)
4. Into the Woods – by Stephen Sondheim and James Lapine (MTI)
5. Disney’s The Little Mermaid – by Alan Menken, Howard Ashman, Glenn Slater, and Doug Wright (MTI)
6. Seussical – by Lynn Ahrens, Stephen Flaherty, and Eric Idle (MTI)
7. (tie) Little Shop of Horrors – by Howard Ashman and Alan Menken (MTI)
7. (tie) Roald Dahl’s Matilda: The Musical – by Dennis Kelly and Tim Minchin (MTI)
9. The Wizard of Oz – various adaptations from L. Frank Baum (Concord Theatricals)
10. Rodgers + Hammerstein’s Cinderella – by Richard Rodgers, Oscar Hammerstein II, and Douglas Carter Beane (Concord Theatricals)
Top 10 Full-Length Plays
1. Clue – by Jonathan Lynn, Sandy Rustin, Hunter Foster, and Eric Price (Playscripts)
2. Almost, Maine – by John Cariani (Dramatists Play Service)
3. A Midsummer Night’s Dream – by William Shakespeare (public domain)
4. Peter and the Starcatcher – by Rick Elice and Wayne Barker (MTI)
5. Radium Girls – by D.W. Gregory (Dramatic Publishing)
6. 12 Angry Jurors – by Sherman L. Sergel, Reginald Rose (Dramatic Publishing)
7. She Kills Monsters – by Qui Nguyen (Concord Theatricals)
8. Puffs, Or: Seven Increasingly Eventful Years at a Certain School of Magic and Magic – by Matt Cox (Concord Theatricals)
9. The Curious Incident of the Dog in the Night-Time – by Simon Stephens and Mark Haddon (Dramatists Play Service)
10. Romeo and Juliet – by William Shakespeare (public domain)
Top 10 Full-Length Plays
1. Check Please – by Jonathan Rand (Playscripts)
2. 10 Ways to Survive the Zombie Apocalypse – by Don Zolidis (Playscripts)
3. Tracks – by Peter Tarsi (Dramatic Publishing)
4. (tie) Check Please: Take 2 – by Jonathan Rand (Playscripts)
4. (tie) The Brothers Grimm Spectaculathon – by Don Zolidis (Playscripts)
6. (tie) The Actor’s Nightmare – by Christopher Durang (Dramatists Play Service)
6. (tie) Law & Order: Fairy Tale Unit – by Jonathan Rand (Playscripts)
6. (tie) The Internet Is Distract – Oh Look a Kitten – by Ian McWethy (Playscripts)
9. Our Place – by Terry Wayne Gabbard (Dramatic Publishing)
10. The Lottery – by Brainerd Duffield and Shirley Jackson (Dramatic Publishing)